We are waiting for the end of advent,
but are we expecting the Christ child?
Or are our thoughts on ribbons and gifts
circling the tree like an electric train?
Christ is with us now, and yet we wait;
we hold our breath in anticipation.
Half the pleasure, you know, is anticipation.
The third candle, lit on the wreath of advent
burns joy—we are closer than half way—but wait!
Just wait a little longer. It is hard to be a child
waiting, not knowing, but the waiting trains
us to bide our time, hold still for the Gift.
We tell our children about the donkey carrying a gift,
wrapped in Mary’s womb. We smile at their anticipation,
watching them fidget, tiptoe, and whisper. Their train
of thought headed in one direction: the eve of Advent.
A ceramic nativity scene high on the mantle, a child
can only look, not touch. Like a spinster, we make them wait
for Christmas Eve, for the Bible lesson read aloud. Wait,
wait, wait. When all they want is to tear open the gifts
and shout, “Look what I got!” I was a once a child,
I remember. After the wrappings are undone, anticipation
fades. But here is another mystery, Advent
is not over. Epiphany comes like the twelve-fifteen train
down the tracks. We count down to twelve: the train
the days, the leaping lords. We watch and wait
for Epiphany, the bookend of a month-long advent.
Three Kings’ Day marks the twelfth night, marks with gifts,
the climax of Christmas. The waiting, the anticipation,
the longing are over. Now we celebrate the birth of our Christ-child
Somehow, compressed though it is, we watch this Jesus-child
grow up to be a miracle-man who calls his disciples and trains
them to wait. To wait and to watch with holy anticipation,
while he washes feet and feeds the hordes that also wait
for the time when the three wise men’s gifts
will be used to anoint and prepare the body of the King of Advent.
This anticipation we feel, like a child, eager and open,
leads us through the days of Advent and trains our hearts
to wait for the kismet of Jesus as he becomes our greatest gift.
Showing posts with label poem. Show all posts
Showing posts with label poem. Show all posts
Sunday, December 12, 2010
Tuesday, September 14, 2010
Not Counted
I am not on the list of names
Mournfully read each September eleventh
Won’t someone weep for me?
Hunched in the alley between two towers, that was me
Sleeping off the Smirnoff vodka, forgetting my name
One of many, one of eleven
Into the tower’s north face, came crashing flight eleven
The omnipotence of America fell on me
But no one remembers my name
Me and eleven other cardboard box bums, along with our names, died, too.
Mournfully read each September eleventh
Won’t someone weep for me?
Hunched in the alley between two towers, that was me
Sleeping off the Smirnoff vodka, forgetting my name
One of many, one of eleven
Into the tower’s north face, came crashing flight eleven
The omnipotence of America fell on me
But no one remembers my name
Me and eleven other cardboard box bums, along with our names, died, too.
Wednesday, July 28, 2010
Buried on the Lone Prairie
Mrs. Cranberry dug a trench in the flower bed
just to the left of a row of tulip bulbs.
Her son Ensen knelt down in the upturned dirt,
his arms cradling a silent bundle.
Cotton-Candy's mews had long since died,
her body stiffened like an icicle.
"This past winter," he said, "an icicle
fell point down in this very spot, this snow bed
that'll now hold my Cotton-Candy. She's died
now, Ma, she's really gone?" Her little bulb
of life is passed, Ma agreed, as she bundled
her thoughts together. Earthen smell of dirt
rose to her nose, a test, she thought of the scented dirt
harrowed by Mr. Cranberry last spring, after all icicles
had melted and they'd laid their bonny lass, bundled
in a tattered quilt, pulled from her straw bed,
in the yellowed prairie land. No daffodill bulbs
had been planted then, but now, where she'd died,
they circled her grave, waving as if nothing could ever die
again. Why did she die? Ma's tears fell in the dirt
making splotches of mud, like minature dirt bulbs
into which Ensen laid Cotton-Candy, stiff and cold as an icicle
"Ma?" Mrs. Cranberry looked up, her heart a bed
of cut glass, "Yes, Ensen?" "Could I make a bundle
of money by going around and praying for the bundles
of children that died last winter? You know, died
from the fever?" His mother stepped back into the bed
of flowers, shocked. But his face showed no malevolent dirt
despite that he'd stabbed her through the heart with an icicle
of words. "No, child, prayers are free," she whispered, as if a bulb
of emotion were stuck in her throat. "Instead, take these bulbs,
dig them up, and sell them for a dime a bundle."
He saw the tears on her face, a pendent spear, an icicle
of sadness, sliced down her cheek. Thoughts of his cat died
as he jury-rigged a basket of bulbs to sell with still-clinging dirt
on their opaque skins. Ma laid Cotton-Candy in her last bed.
Sunshine on the bitter cold creates icicles that drip into bulbs
below where the bearded iris, in its bed, unbundles its arms,
casts off the dead leaves and emerges like a fluted horn from the dirt.
just to the left of a row of tulip bulbs.
Her son Ensen knelt down in the upturned dirt,
his arms cradling a silent bundle.
Cotton-Candy's mews had long since died,
her body stiffened like an icicle.
"This past winter," he said, "an icicle
fell point down in this very spot, this snow bed
that'll now hold my Cotton-Candy. She's died
now, Ma, she's really gone?" Her little bulb
of life is passed, Ma agreed, as she bundled
her thoughts together. Earthen smell of dirt
rose to her nose, a test, she thought of the scented dirt
harrowed by Mr. Cranberry last spring, after all icicles
had melted and they'd laid their bonny lass, bundled
in a tattered quilt, pulled from her straw bed,
in the yellowed prairie land. No daffodill bulbs
had been planted then, but now, where she'd died,
they circled her grave, waving as if nothing could ever die
again. Why did she die? Ma's tears fell in the dirt
making splotches of mud, like minature dirt bulbs
into which Ensen laid Cotton-Candy, stiff and cold as an icicle
"Ma?" Mrs. Cranberry looked up, her heart a bed
of cut glass, "Yes, Ensen?" "Could I make a bundle
of money by going around and praying for the bundles
of children that died last winter? You know, died
from the fever?" His mother stepped back into the bed
of flowers, shocked. But his face showed no malevolent dirt
despite that he'd stabbed her through the heart with an icicle
of words. "No, child, prayers are free," she whispered, as if a bulb
of emotion were stuck in her throat. "Instead, take these bulbs,
dig them up, and sell them for a dime a bundle."
He saw the tears on her face, a pendent spear, an icicle
of sadness, sliced down her cheek. Thoughts of his cat died
as he jury-rigged a basket of bulbs to sell with still-clinging dirt
on their opaque skins. Ma laid Cotton-Candy in her last bed.
Sunshine on the bitter cold creates icicles that drip into bulbs
below where the bearded iris, in its bed, unbundles its arms,
casts off the dead leaves and emerges like a fluted horn from the dirt.
Sunday, January 17, 2010
Thirteen Ways of Looking at God
I
Among multifarious gods,
The only one offering an invitation
Was the God of Grace.
II
I was of one mind,
split like a trident
Into past, present, and future.
III
The Savior story piggybacks and
Assimilates, eager to stand out.
IV
A shaper and a specter
Are one.
A shaper and a specter and a Nazarene
Are one.
V
Test me not for I can not chose
To live in corporeal presence
Or to strive for the ether
To drink dandelion tea
Or imbibe celestial wine.
VI
Rainbows, full circles, when
Viewed from the other side.
Promises given, but no more
Sacrifice.
No blood of the Lamb.
No unleaven bread.
VII
Your opulence shields you
From the starving Calcutta waif.
Your nescience portends
A future spent in purgatory.
VIII
Brass coins, bells,
The slender neck of an oud
All sing in unison
But you are the
Ultimate rhythm.
IX
When god remained entombed,
Even Peter fell silent.
Interspersed with his denials.
X
At the sight of god
Ascending on golden stairs
Even the double-tongued pharisee
Bent to prophetic omens.
XI
His donkey stepped to Egypt,
Hiding even his scent from Herod.
Once, a leper touched him
Believing in miracles.
He received nothing less.
XII
The throngs are praying.
God transcends.
XIII
It was twilight his entire life.
Dusk prevailed
And did not abate.
God lingered until dawn
When the sun rose.
Among multifarious gods,
The only one offering an invitation
Was the God of Grace.
II
I was of one mind,
split like a trident
Into past, present, and future.
III
The Savior story piggybacks and
Assimilates, eager to stand out.
IV
A shaper and a specter
Are one.
A shaper and a specter and a Nazarene
Are one.
V
Test me not for I can not chose
To live in corporeal presence
Or to strive for the ether
To drink dandelion tea
Or imbibe celestial wine.
VI
Rainbows, full circles, when
Viewed from the other side.
Promises given, but no more
Sacrifice.
No blood of the Lamb.
No unleaven bread.
VII
Your opulence shields you
From the starving Calcutta waif.
Your nescience portends
A future spent in purgatory.
VIII
Brass coins, bells,
The slender neck of an oud
All sing in unison
But you are the
Ultimate rhythm.
IX
When god remained entombed,
Even Peter fell silent.
Interspersed with his denials.
X
At the sight of god
Ascending on golden stairs
Even the double-tongued pharisee
Bent to prophetic omens.
XI
His donkey stepped to Egypt,
Hiding even his scent from Herod.
Once, a leper touched him
Believing in miracles.
He received nothing less.
XII
The throngs are praying.
God transcends.
XIII
It was twilight his entire life.
Dusk prevailed
And did not abate.
God lingered until dawn
When the sun rose.
Earthly Beliefs
There's a few things about me that are beautiful,
but you don't know them. First, I live on this Earth
as a human being, but before I lived here, my friends,
I was an angel. Maybe I ended up here because of lust.
Lusting to eat Braeburns or to hold small, furry animals.
I'm not sure, but lust is powerful. Look it up at the library.
The name of the street where I live is Library
Lane. Down the block, on mornings replete with beautiful
sunshine, I walk to that reverential place, spying animals
along the way. Believe me. Look it up on Google Earth
if you are too incredulous. Some people actually lust
after the name of my street, but not my friends.
Second, I find that I am lonely for friends.
Again, that might be hard to believe and no library
book will confirm it, but I am lonely. I lust
for deeper friendships with souls that are beautiful.
When looking for friends, this small world becomes a giant earth,
which no ship can traverse. And friendless, we act like animals.
The irony is, I am the cruelest of all animals.
So if you can, please send me a legion of friends.
Third, although I am a Christian, I love this Earth;
its splendid woven sky and manufactured libraries
and synogogues, all of it is exquisite. All is beautiful.
Yes, I know. Love not the world for the world is lust,
but if so, then I dive into the glories of earthen lust
as the pious dive into earthen vessels. God made animals
the same as me. Why spurn the handwork, the beauty
that is the Lord's? Instead we ought celebrate, friends,
how perfect Life is. Pour out of your churches, your libraries,
your Starbucks and sing praises of our planet Earth.
Fourth, I believe there is no other Earth
like this one, but that there is drudgery and lust
and salvation in abundant measure. In the Library
of the Universe, I believe we can verify even animals'
souls. Don't be fooled by others, not even your friends
who decry notions like mine. Know that you are beautiful.
It is written in God's library that this very Earth
contains redeemable life, both beautiful and lustful,
both animal and human. Read it in the Book, dear friends.
but you don't know them. First, I live on this Earth
as a human being, but before I lived here, my friends,
I was an angel. Maybe I ended up here because of lust.
Lusting to eat Braeburns or to hold small, furry animals.
I'm not sure, but lust is powerful. Look it up at the library.
The name of the street where I live is Library
Lane. Down the block, on mornings replete with beautiful
sunshine, I walk to that reverential place, spying animals
along the way. Believe me. Look it up on Google Earth
if you are too incredulous. Some people actually lust
after the name of my street, but not my friends.
Second, I find that I am lonely for friends.
Again, that might be hard to believe and no library
book will confirm it, but I am lonely. I lust
for deeper friendships with souls that are beautiful.
When looking for friends, this small world becomes a giant earth,
which no ship can traverse. And friendless, we act like animals.
The irony is, I am the cruelest of all animals.
So if you can, please send me a legion of friends.
Third, although I am a Christian, I love this Earth;
its splendid woven sky and manufactured libraries
and synogogues, all of it is exquisite. All is beautiful.
Yes, I know. Love not the world for the world is lust,
but if so, then I dive into the glories of earthen lust
as the pious dive into earthen vessels. God made animals
the same as me. Why spurn the handwork, the beauty
that is the Lord's? Instead we ought celebrate, friends,
how perfect Life is. Pour out of your churches, your libraries,
your Starbucks and sing praises of our planet Earth.
Fourth, I believe there is no other Earth
like this one, but that there is drudgery and lust
and salvation in abundant measure. In the Library
of the Universe, I believe we can verify even animals'
souls. Don't be fooled by others, not even your friends
who decry notions like mine. Know that you are beautiful.
It is written in God's library that this very Earth
contains redeemable life, both beautiful and lustful,
both animal and human. Read it in the Book, dear friends.
Saturday, January 9, 2010
Crack Baby
Larry's lips form a circle as he blows
a smoke ring into Keleigh's pasty grey
face. Coughing, she opens the window a crack
to breath in the frosty air. It is winter
although no snow has yet fallen.
Larry's bright eyes dance with a song
playing on the radio. "What the name of that song?"
he says. Kel shrugs, "Give me a puff; quit blowing
dry air at me and give." Her resolve has fallen,
like her grades and her hopes, into a grey
pulp of ashes. She looks out the window into the wintry
sky. She feels as if her heart will crack
like a pumpkin after Halloween, crack
like her voice when she sings a song
that's too high, crack like the first ice in winter
when she steps gingerly on its glass. Blown,
Keleigh has blown her chances. When she's grey-
haired and wrinkled, she'll look back on this fallen
day and ache like a mother bird whose chick has fallen
out of the nest, too young to fly. The shell cracked
but the wings still folded. Its only hope is its grey
plumage to cammoflage it in the dirt. No song
sings from bird's beak or woman's heart. No blowing
winds of hope lift either spirit. It is winter.
Larry hands her the pipe, "Here's your woolie, you winter-
strawberry." Keleigh cradles the pipe, looks at her weightless, fallen
man. Abruptly she wants neither the screw nor the crack. "Blow
it yourself; I don't want your Love," she says with a voice that cracks.
"Bitch," he breathes and turns up the radio. Wainwright sings a song
while strumming his guitar, in his nasal twang, "When it's grey
in L.A., I sure like it that way..." "Effing country, all gloom and grey
music, that sh..." Larry starts, but looks at Kel glowing in winter
white shimmer, winter white glory. Humming a new song.
"What the hell...", but his voice whiskers away, falls
into silence, like snowflakes at night. He cracks
his pipe on the counter, sneers, then takes one more blow.
Each bird sings its own song, flies on its own grey wings.
Battered by the blows of wind and the bitter breath of winter,
the timid become lost. Fallen feathers sift between the cracks.
a smoke ring into Keleigh's pasty grey
face. Coughing, she opens the window a crack
to breath in the frosty air. It is winter
although no snow has yet fallen.
Larry's bright eyes dance with a song
playing on the radio. "What the name of that song?"
he says. Kel shrugs, "Give me a puff; quit blowing
dry air at me and give." Her resolve has fallen,
like her grades and her hopes, into a grey
pulp of ashes. She looks out the window into the wintry
sky. She feels as if her heart will crack
like a pumpkin after Halloween, crack
like her voice when she sings a song
that's too high, crack like the first ice in winter
when she steps gingerly on its glass. Blown,
Keleigh has blown her chances. When she's grey-
haired and wrinkled, she'll look back on this fallen
day and ache like a mother bird whose chick has fallen
out of the nest, too young to fly. The shell cracked
but the wings still folded. Its only hope is its grey
plumage to cammoflage it in the dirt. No song
sings from bird's beak or woman's heart. No blowing
winds of hope lift either spirit. It is winter.
Larry hands her the pipe, "Here's your woolie, you winter-
strawberry." Keleigh cradles the pipe, looks at her weightless, fallen
man. Abruptly she wants neither the screw nor the crack. "Blow
it yourself; I don't want your Love," she says with a voice that cracks.
"Bitch," he breathes and turns up the radio. Wainwright sings a song
while strumming his guitar, in his nasal twang, "When it's grey
in L.A., I sure like it that way..." "Effing country, all gloom and grey
music, that sh..." Larry starts, but looks at Kel glowing in winter
white shimmer, winter white glory. Humming a new song.
"What the hell...", but his voice whiskers away, falls
into silence, like snowflakes at night. He cracks
his pipe on the counter, sneers, then takes one more blow.
Each bird sings its own song, flies on its own grey wings.
Battered by the blows of wind and the bitter breath of winter,
the timid become lost. Fallen feathers sift between the cracks.
Friday, December 18, 2009
Moving to Hospice
Arlo sings to me right now,
Can you dry every tear...take every hand that death has consumed?
I know Barbary needs a hand
when her sister passes she'll have a river of tears
that not even my cupped hands will hold.
My dog stands behind me
She's crying and pacing
for her boys, my boys, who have gone
out to play in the field
outside the gate where she can not go.
The sky is light blue, dusk will soon fall.
I see our willow tree greening up along
its strands that hang like pearls,
like a rasta-man's dreads swaying in the wind.
The willow is dying, too.
Now Arlo has played the last notes of
"Gambler's Blues" and the people clap
their hands, whistle. I'm sure they smile
to one another, nod their heads, sigh.
But what of Barbary's sister?
Maybe she's sighing, too.
Maybe she's listening to Arlo right now
remarking in her head how she used to
listen to Guthrie when he first started strumming.
She sighs, knowing he'll keep strumming
even when she no longer can listen.
Can you dry every tear...take every hand that death has consumed?
I know Barbary needs a hand
when her sister passes she'll have a river of tears
that not even my cupped hands will hold.
My dog stands behind me
She's crying and pacing
for her boys, my boys, who have gone
out to play in the field
outside the gate where she can not go.
The sky is light blue, dusk will soon fall.
I see our willow tree greening up along
its strands that hang like pearls,
like a rasta-man's dreads swaying in the wind.
The willow is dying, too.
Now Arlo has played the last notes of
"Gambler's Blues" and the people clap
their hands, whistle. I'm sure they smile
to one another, nod their heads, sigh.
But what of Barbary's sister?
Maybe she's sighing, too.
Maybe she's listening to Arlo right now
remarking in her head how she used to
listen to Guthrie when he first started strumming.
She sighs, knowing he'll keep strumming
even when she no longer can listen.
Tuesday, December 8, 2009
Memory
That was a bright and bitter day
The phone rang
She called, for the last time,
simply to say, "I love you"
and nothing more.
It took me a moment
to grasp her message
the way her breath caught
like snowflakes on lashes
a thistle seed on argyles
But when at last I understood
her meaning,
it was too late.
There was nothing left
but an empty dial tone.
The phone rang
She called, for the last time,
simply to say, "I love you"
and nothing more.
It took me a moment
to grasp her message
the way her breath caught
like snowflakes on lashes
a thistle seed on argyles
But when at last I understood
her meaning,
it was too late.
There was nothing left
but an empty dial tone.
Felicity
Felicity was the girl everyone wanted to pick
on because she was slow that way,
you know what I mean.
And one time, when she was playing
right field, she wet
her pants.
She didn’t yell at us or
anything mean, though she did walk
away crying
her blond hair sticking out
of her head like
straws in a haystack
her nose snotty and red
using her sleeve
for a Kleenex.
How many times had she heard the words,
be a good sport,
so she was.
Felicity was the girl everyone wanted to pick
on.
So we did.
on because she was slow that way,
you know what I mean.
And one time, when she was playing
right field, she wet
her pants.
She didn’t yell at us or
anything mean, though she did walk
away crying
her blond hair sticking out
of her head like
straws in a haystack
her nose snotty and red
using her sleeve
for a Kleenex.
How many times had she heard the words,
be a good sport,
so she was.
Felicity was the girl everyone wanted to pick
on.
So we did.
Monday, September 14, 2009
Sail Away
I’ve had my ear to the rail forty-six days and counting.
Three yards up the line, my sister huddles,
waiting, same as me.
Hearing something
I jerk my head up,
study the horizon.
But, no, it is nothing,
perhaps the whine of an airplane overhead;
its contrail divides the sky in half.
My sister clears her throat.
In the alfalfa field small birds
like warbler and nuthatch, flit from stalk to stalk.
I lay my ear down once more.
The steel rail warm and soothing against my skin.
Its smoothness is like a sharp, sharp blade,
ready to slice a tomato.
Now I hear rumbling.
Under the palm of my hand, vibration.
With my head on the trestle,
I see a plume of white, smoky steam
unfurling in the sky.
A finger pointing,
but not at me.
The vibrato becomes a shuddering.
The grumble, a deafening roar.
I crouch,
horrified and immobile.
With a scream, the locomotive is upon me,
shaking me senseless like dice in a cup.
Yet it misses me,
as if I were invisible.
I sit up after the last car passes,
watching my sister as she sails away,
her brown hair laughing with the wind.
-------------------------------
I'd published another version of this poem much earlier in this blog's life. It's here now, closer to its final form.
Three yards up the line, my sister huddles,
waiting, same as me.
Hearing something
I jerk my head up,
study the horizon.
But, no, it is nothing,
perhaps the whine of an airplane overhead;
its contrail divides the sky in half.
My sister clears her throat.
In the alfalfa field small birds
like warbler and nuthatch, flit from stalk to stalk.
I lay my ear down once more.
The steel rail warm and soothing against my skin.
Its smoothness is like a sharp, sharp blade,
ready to slice a tomato.
Now I hear rumbling.
Under the palm of my hand, vibration.
With my head on the trestle,
I see a plume of white, smoky steam
unfurling in the sky.
A finger pointing,
but not at me.
The vibrato becomes a shuddering.
The grumble, a deafening roar.
I crouch,
horrified and immobile.
With a scream, the locomotive is upon me,
shaking me senseless like dice in a cup.
Yet it misses me,
as if I were invisible.
I sit up after the last car passes,
watching my sister as she sails away,
her brown hair laughing with the wind.
-------------------------------
I'd published another version of this poem much earlier in this blog's life. It's here now, closer to its final form.
Sunday, September 13, 2009
A No. 2 Pencil's Fallen Glory
Somehow it has come to this, even after all I’ve done
Without regard, sagacity, for a thousand years they’ve used me,
Like slate and chalk, a paper journal, rejected; I feel your shun.
I was good enough to tuck behind your ear, sub as a mock-up gun
But those days are over and you’ve sailed on to another sea
Somehow it has come to this, even after all I’ve done
Stubby me with Susan, you and your teenaged son
Recording par or eagle, maybe an exultant bogey
Still, like slate and chalk, a paper journal, rejected; I feel your shun.
It’s all electronic now. How posh, exuberant! How fun!
Bah! When batteries wear out, erode, where will you be?
Somehow it has come to this, even after all I’ve done
Pencil sharpeners in every class room, those were the days, now none
Can be found, tossed out with Dick and Jane and baby Sally
Like slate and chalk, a paper journal, rejected; I feel your shun.
Laptops, computers, Jello-green monitors, screens—they’ve won
I’m useless, bent, a discarded possession. Are you happy?
Somehow it has come to this, even after all I’ve done
Like slate and chalk, a paper journal, rejected; I feel your shun.
Without regard, sagacity, for a thousand years they’ve used me,
Like slate and chalk, a paper journal, rejected; I feel your shun.
I was good enough to tuck behind your ear, sub as a mock-up gun
But those days are over and you’ve sailed on to another sea
Somehow it has come to this, even after all I’ve done
Stubby me with Susan, you and your teenaged son
Recording par or eagle, maybe an exultant bogey
Still, like slate and chalk, a paper journal, rejected; I feel your shun.
It’s all electronic now. How posh, exuberant! How fun!
Bah! When batteries wear out, erode, where will you be?
Somehow it has come to this, even after all I’ve done
Pencil sharpeners in every class room, those were the days, now none
Can be found, tossed out with Dick and Jane and baby Sally
Like slate and chalk, a paper journal, rejected; I feel your shun.
Laptops, computers, Jello-green monitors, screens—they’ve won
I’m useless, bent, a discarded possession. Are you happy?
Somehow it has come to this, even after all I’ve done
Like slate and chalk, a paper journal, rejected; I feel your shun.
Les Blues des Routes
One day you picked up a guitar
Ran your thumb along the strings
Imagined yourself a star
With a house, a car, bedecked like kings
Ran your thumb along the strings
Following notes on the page
With a house, a car, bedecked like kings
Slowly coming of age
Following notes on the page
You listened to Hackberry Ramblers
Slowly coming of age
Your dream of music felt like a gambler’s
You listened to Hackberry Ramblers
Learned the six-string, then the twelve
Your dream of music felt like a gambler’s
But a musician’s bounty you could not shelve
Learned the six-string, then the twelve
Looked for jobs in the Times-Picayune
But a musician’s bounty you could not shelve
Ending up singing in a dank saloon
Looked for jobs in the Times-Picayune
By moonlight you read Cajun Music by Savoy
Ending up singing in a dank saloon
Playing until your fingers were raw
By moonlight you read Cajun Music by Savoy
Imagined yourself a star
Playing until your fingers were raw
On the day you picked up your first guitar
Ran your thumb along the strings
Imagined yourself a star
With a house, a car, bedecked like kings
Ran your thumb along the strings
Following notes on the page
With a house, a car, bedecked like kings
Slowly coming of age
Following notes on the page
You listened to Hackberry Ramblers
Slowly coming of age
Your dream of music felt like a gambler’s
You listened to Hackberry Ramblers
Learned the six-string, then the twelve
Your dream of music felt like a gambler’s
But a musician’s bounty you could not shelve
Learned the six-string, then the twelve
Looked for jobs in the Times-Picayune
But a musician’s bounty you could not shelve
Ending up singing in a dank saloon
Looked for jobs in the Times-Picayune
By moonlight you read Cajun Music by Savoy
Ending up singing in a dank saloon
Playing until your fingers were raw
By moonlight you read Cajun Music by Savoy
Imagined yourself a star
Playing until your fingers were raw
On the day you picked up your first guitar
Turning the Calendar's Page
In the august of my life
A curtain of clouds blocks the sun
A jet slices through like a knife
In the august of my life
Why should reverie cause me strife?
The heated dream-plays remain undone
In the august of my life
A curtain of clouds blocks the sun
A curtain of clouds blocks the sun
A jet slices through like a knife
In the august of my life
Why should reverie cause me strife?
The heated dream-plays remain undone
In the august of my life
A curtain of clouds blocks the sun
Bastille Before the Revolution --a prompted tritina
"A glass of water, s'il vous plait, sir?" she asked in a voice quite humble.
He stared as if she were a Wiccan faerie, then tossed in the air his baseball.
"Get the bloody water youse-self, ye bitch," raged he, "Pardon my French."
"You see, sir, I've cut my finger. Water to bathe it, oui? It was the beans sliced french."
He scoffed and slurred out, "Ye a wench and I won't humble
meself to helps the likes of you," he sneered, dropping his baseball.
The leathered toy rolled under her stool; she held out her hand, balancing the baseball.
Snatching it, he glared at the blood streaked across the white, "Damn French."
La petite fille closed her eyes, held her breath to maintain her disposition of humility.
Chastened and humbled, without recourse she sat while the American played baseball, laughing at her snarled coif, spitting out O-Vwah, as if he were French.
He stared as if she were a Wiccan faerie, then tossed in the air his baseball.
"Get the bloody water youse-self, ye bitch," raged he, "Pardon my French."
"You see, sir, I've cut my finger. Water to bathe it, oui? It was the beans sliced french."
He scoffed and slurred out, "Ye a wench and I won't humble
meself to helps the likes of you," he sneered, dropping his baseball.
The leathered toy rolled under her stool; she held out her hand, balancing the baseball.
Snatching it, he glared at the blood streaked across the white, "Damn French."
La petite fille closed her eyes, held her breath to maintain her disposition of humility.
Chastened and humbled, without recourse she sat while the American played baseball, laughing at her snarled coif, spitting out O-Vwah, as if he were French.
Sunday, May 31, 2009
I Want to Live Until I'm Too Old to Dance
I want to live until I'm too old to dance,
like a fountain that's bubbled its last drops,
let me flow--
into an ocean, into the sea.
I want to live until my skin
has wrinkled and my hair
has grayed into a fifty-cent piece
with John F. Kennedy
still smiling.
I want to live until I creak
when I walk
and I'll walk all over the Universe
singing "We shall overcome!"
while my lungs burst
like a glycerin bubble.
Let's bubble ourselves
all over and live forever
as we sail in a sieve
gone to sea.
November 22, 2006
I want to live until I'm too old to dance,
like a fountain that's bubbled its last drops,
let me flow--
into an ocean, into the sea.
I want to live until my skin
has wrinkled and my hair
has grayed into a fifty-cent piece
with John F. Kennedy
still smiling.
I want to live until I creak
when I walk
and I'll walk all over the Universe
singing "We shall overcome!"
while my lungs burst
like a glycerin bubble.
Let's bubble ourselves
all over and live forever
as we sail in a sieve
gone to sea.
November 22, 2006
Wednesday, February 25, 2009
Note to a Friend
(KarenL)
I like to think about you
sitting at home, reading Joel or Corinthians
turning each thin sheet
down for the evening as you climb
into bed
as you climb into the ether
of dreams and desire
I like to think about you
stitching a quilt while
Too-Too and Rascal
climb on your squares
kneading their paws on
freshly stitched muslin
their claws catching and snagging
without care
I'd like to think you
were thinking of me, too
as I sit here empty
waiting for thoughts to fill
my head
and my keyboard
until they flood out onto the screen
making oodles of money
as editors climb over one
another in excitement to be the first
publisher of my next masterpiece.
(KarenL)
I like to think about you
sitting at home, reading Joel or Corinthians
turning each thin sheet
down for the evening as you climb
into bed
as you climb into the ether
of dreams and desire
I like to think about you
stitching a quilt while
Too-Too and Rascal
climb on your squares
kneading their paws on
freshly stitched muslin
their claws catching and snagging
without care
I'd like to think you
were thinking of me, too
as I sit here empty
waiting for thoughts to fill
my head
and my keyboard
until they flood out onto the screen
making oodles of money
as editors climb over one
another in excitement to be the first
publisher of my next masterpiece.
Penny Caught
This penny wedged between the window sill and pane
Has been painted over twice.
I can tell because the paint's chipped and I see
Two layers: pink then minty green.
No one has opened the window
Since this room was converted
From a ritzy powder room in the 20s
And a lounging room with fainting divan
In the 40s.
Now it is a closet
Where I hang
Myself.
This penny wedged between the window sill and pane
Has been painted over twice.
I can tell because the paint's chipped and I see
Two layers: pink then minty green.
No one has opened the window
Since this room was converted
From a ritzy powder room in the 20s
And a lounging room with fainting divan
In the 40s.
Now it is a closet
Where I hang
Myself.
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